Art review: Marlene Dumas at Tate Modern February 6, 2015 Tate Modern | ★★★★★ Working from photographs, South African figurative painter Marlene Dumas doesn’t represent life, she gives it. Indeed, it’s tempting to see her paintbrush as a defibrillator, jolting dead images to life. But no-one is being raised here; she doesn’t resuscitate her subjects so much as give them an afterlife, investing the long [...]
Theatre review: Di and Viv and Rose February 6, 2015 Vaudeville Theatre | ★★★☆☆ The programme for the Vaudeville Theatre’s production of Di and Viv and Rose features two pages of anecdotes from a wide range of women, from doctors to preachers, MPs to celebrities, about how they met their best friends. Infusing them all is a sense of effortlessness, of falling into friendships that [...]
Film review: Selma depicts a pivotal moment in Martin Luther King’s life February 6, 2015 Cert 15 | ★★★★☆ Selma does what Lincoln did so successfully and what Long Walk to Freedom made the mistake of not doing – instead of compressing a great life into two small hours, Ava DuVernay’s Martin Luther King biopic depicts a pivotal fragment of that life, one in which the greatness of the whole [...]
Film review: Jupiter Ascending leaves plenty of space for improvement February 5, 2015 Cert 12a | ★☆☆☆☆ Sean Bean probably resisted at first. I picture bitter arguments, impassioned pleas, point-blank refusals. Contracts will have been brought out, threats made against the future of his career, the safety of his family. Eventually he capitulated, agreeing to read the line. “Bees are genetically programmed to recognise royalty.” Jupiter Ascending’s [...]
Something for the weekend February 5, 2015 WATCH SIX NATIONS AT THE FALTERING FULLBACK The Six Nations Championships gets underway tonight and everyone knows watching rugby is as much about the craic as it is about the game. If you’re after somewhere lively to watch Wales vs England you could do much worse than Finsbury Park’s Faltering Fullback. Visit thefullback.co.uk BOW TO [...]
Art review: Christian Marclay January 30, 2015 White Cube Bermondsey | ★★★★☆ This is Christian Marclay’s first solo London show since 2010’s legendary The Clock, the 24 hour video montage of film clips including clocks, watches and people telling a time perfectly synchronised with the real world. Though none of these works reach the dizzy heights of that masterpiece, there’s still plenty [...]
Film review: Trash is Richard Curtis’ best work since Blackadder Goes Forth January 30, 2015 Cert 15 | ★★★★☆ Trash is a noir-ish political thriller that draws attention to the deep social and economic problems of the developing world without sacrificing on plot. It’s a welcome surprise from the director of Billy Elliot and the writer of Love Actually about children living and working in a Brazilian dump. Pursued by [...]
Film review: Kingsman recalls the days when spy movies were fun January 30, 2015 Cert 15 | ★★★★★ Kingsman is the best Bond film Roger Moore never made. Gentlemen spies in immaculately tailored suits battling flamboyant villains bent on global destruction; the plot is pure Moonraker, albeit with an origin story, class warfare, better jokes and flashier production values. The team behind Kick Ass have created a pop-culturally literate, [...]
Theatre review: The Ruling Class at Trafalgar Studios January 30, 2015 Trafalgar Studios | ★★☆☆☆ Britain’s poshness obsession reaches new heights in The Ruling Class, a 1968 Peter Barnes play that shows its age in every scoffing caricature and fusty, laboured punchline. Aristocratic power may be super-relevant in today’s poshocracy, but the fact that it’s topical doesn’t mean this play has anything profound to say. Somewhere [...]
Film review: Inherent Vice star Joaquin Phoenix rises to the challenge January 29, 2015 Cert 15 | ★★★★☆ The trailer for Inherent Vice achieves a rare thing: it perfectly conveys the tenor of the film without giving anything away. In two minutes, we’re introduced to the woozy Californian setting and the entire colourful cast of characters. But as to what actually happens in the film, we’re left guessing. [...]